Talk out loud with anyone you can describe.

Tell Korine who they are and where you are. They answer out loud, stop when you cut in, and remember you next time.

Coming to Mac

No account. Your voice is heard on your Mac and never uploaded.

Say out loud what you can’t say anywhere else.

Describe the person and the place, then say the first line.

Practice a hard talk

Rehearse the interview, the raise, or saying no to your boss. Describe the person as they really are, and they push back like it.

“Be my manager. You think I’m not ready for the promotion.”

Someone to talk to

Make a character and talk with them in the evenings. They remember what you told them last week, and notice how long you were away.

“I’m back. The interview went fine, by the way.”

A story you direct

Set the scene and the people in it, then let it play out loud. Step aside any time to change what happens next.

“Make it start raining, and have Mara stop at the door.”

Go back to a moment

Replay a conversation that still weighs on you. Say what you wish you had said, and hear how it could have gone.

“It’s the night we argued. This time, let me finish.”

Talk to someone you miss

Describe someone you have lost: how they spoke, what they called you. It is not them. It is a quiet place to say what was left unsaid.

“I got the job. I wanted you to be the first to know.”

A room full of peopleComing

A family dinner, a panel interview, a crew on a night shift. Several people in one scene, each with their own part.

“Add Sam’s brother, who doesn’t trust me yet.”
A job interview with Priya in a quiet modern office. The box at the foot reads: Say it, or write it.

Talk

Cut in any time.
They stop and listen.

Speak or type. They answer out loud, and the words appear as they speak.

  • Start talking and they stop to listen.
  • A cough doesn’t cut them off.

The Director

Step aside and change the story.
They never know.

Every new room opens on the Director. Say who is there and where, and it writes the scene.

The Director open beside the interview room. You write: Priya caves too fast. The Director answers: Done. Priya now holds the number. A Put back button sits beside the change.
  • Change anything.Open it beside the room: the scene, who they are, what they want.
  • Put it back.Don’t like a change? One press undoes it.
  • Bring your cards.Already have characters? Drop in a PNG or JSON card.
The Hall, with doors named Priya, Grandma's kitchen and Mara beside a new room.

The Hall

Come back.
They remember you.

Every room waits behind its own door, on your Mac. Open one and the talk is where you left it.

  • They remember what you told them last week.
  • They notice how long you were away.

Your voice never leaves your Mac.

Korine hears you on your own computer. Only text goes out, to the model that writes the answer.

Heard on your Mac

Your microphone is turned into words on your computer. The audio is never sent anywhere.

Rooms on your Mac

Characters, scenes and every past evening are saved on your own disk, encrypted.

No conversation kept on our server

It holds a conversation in memory only while you talk, and never writes it to disk. The model provider is set to keep nothing.

  • No account.Korine opens with a key. No email, no password, no profile.
  • A voice of your own.Make a character’s voice from a short recording you have the right to use. It is made and locked on your Mac.
  • Delete means delete.Removing a room removes its evenings, its documents and every picture you sent it.

Questions

What will I need?

A Mac with Apple silicon, macOS 14 or later, and an internet connection. Korine speaks English.

Can I bring characters I already have?

Yes. PNG and JSON character cards, versions 1, 2 and 3, open as they are. The zip form, CHARX, is not read.

What does it cost?

One plan, $19 a month, with the first week free and no card to start. Cancel any time, and ask for a refund within 14 days.